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Lesson 1. Always share your visualization/sonification of data with the community the data comes from before the general public, and get their feedback.

Lesson 0. Data incompleteness, can be manipulated to lie.

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Wanted to share the 12th issue of UBC's UJAH (Undergrad Journal of Art History). This issue contains a paper I wrote last fall on the ReMatriate Collective, (@rematriate_), as well as many more interesting papers and artist profiles written by students and recent grads.

You can get the full journal PDF here:
static1.squarespace.com/static

CALL FOR RESPONDERS

The responder’s role is to witness 4 specific events in this series (and any other they may choose to attend) and then formulate their musings into a 1500-2000 word text, drawing connections between them and providing insights in relation to key formal, conceptual, creative, aesthetic, and political concerns.

Responders are paid $1000 each.

Expressions of interest and CV to symposium@cmagazine.com by October 8, 2021.

cmagazine.com/events/ec-sympos

Picture of the geometric cover of a hardcover book bearing the author's name (Jer Thorp) and the title, Living In Data, despite the technological subject the colours are earthy and warm.

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People making jokes about the Facebook services going down make me sick. Anyone who was using an Oculus headset at the time is currently trapped in VR, and if they die there then they die in real life.

Though we are unable to meet in person this year, LIVE Biennale is still dedicated to bringing a meaningful experience centered around identifying new ways of caring in our communities! We invite you to join us from November 4th-6th at the LIVE Assembly, an online event where participants can join us online for a gathering that features artists and those involved in the art community. For more information please register for the event at livebiennale.ca

I have all my email, going back to 1996, thanks to Thunderbird.

Same Mailbox format, very fast search, works great with Gmail.

thunderbird.net/

Do not buy NFT made with my art.
Do not make NFT with my Creative-Commons artworks.
If you respect my art, remember and apply this.

Here is my article about what just happened: davidrevoy.com/article864/drea

#NFT #NFTCommunity

Rekka & I will be giving a keynote presentation, alongside Khyam Allami, at NIME 2022!
nime2022.org/

TOWARD THE NOT-YET: ART AS PUBLIC PRACTICE
EditorJeanne Van Heeswijk, Maria Hlavajova, Rachael Rakes
October 19, 2021

@rek @neauoire @furiousgreencloud Ah yeah, the domain blocks doc on github is super out of date, you can see the full list at the bottom of merveilles.town/about/more though!

@rek can you send me a link to a list of instance's to block, got my 1st spam today. thanks. Is there a git hub of them or some other collaborative blocking scheme you use?

Recommend listening form season 4 of Momus the podcast : tender, vulnerable and insightful.

content.blubrry.com/momus_art_

“In episode 4, Dr. Léuli Eshrāghi discusses “tagatavāsā,” a text centered on Eshrāghi’s grandmother’s art practice that interweaves Indigenous language with the vernacular of contemporary art…. In this intimate conversation with Lauren Wetmore, Eshrāghi says, “I wonder how you can bring texts to be haunted by the absence of knowledge, or by the violence of the borders of today.”

Does work well if one belongs to instances/servers? Or does that just open the door seeing the same events duplicated?

What a day done right! Morning coffee with Justine, @rek & @neauoire,touching on virtual assets exceeding the cost of concrete ones, the marvelous pursuit, induction cooking and the arbitrary depth of minimal computing — something like : since all of them are virtual, you can go all the way to the tarmac (DIY 1 operator & stack machine) or all syntactic sugar you desired with corresponding nuclear power plant required for your build.

The paper was hiding a Film Shoot's set decoration. I'll keep you posted, as to if the store survives.

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