Give me good design or the detailed vestiges of aging: a patina, a history, an unfolding process clear to the eye or fingers. I have no time for this "new world", a lie that denies its past yet supports a present devoid of care. Maybe my ears have tolerated this emphemera, ever indulging the new and the transitional. Still the wind grows thin & cold. Time for a storm?
For those of you who want to grapple with the details,
== SWIMMING HOME ==
Silvia Mercuriali’s latest Autoteatro show, brings a fully immersive theatre experience into people’s homes, transforming their bathroom into a filmic water-world.
= Info & Tickets =
https://sable.madmimi.com/c/388488?id=65939.2562.1.62050a6b2513621480fd8809133d589d
= Showtimes =
Feb 23, 24, 25 – 7:30 pm & 9:30 pm
Feb 26, 27 – 10:30 am, 1:30 pm, 7:30 pm, & 9:30 pm
Available in English, French, and Italian.
@binarycat I had a blind developer user when I was employed as local IT support for a company. I had to reinstall the company's Linux image on his computer, so he had to show me everything he needed installed and I found it really interesting, and he was kind enough to answer my questions about it too. He also had one of the coolest devices I've seen a braille display that outputted TTY or terminal display so he could read it and code.
== Socan Week 2020 == on CFRO
Track List:
. LA in the Rain – Sarah Davachi & Sean McCann – Mother of Pearl (2021)
- Lamplighter
- Lux – Loscil – Clara (2021)
. Stella
. Sol
. The Hearse – Mustafa – When Smoke Rises (2021)
. Connect – Cadence Weapon – Parallel Weapon (2021)
Backing Track – Forever Chemicals
#theAuditorium #pop #music #experimental #canda #2021 #2020s
http://furiousgreencloud.com/wordpress/blog/2022/02/02/socan-week-2022/
We spoke with the FSF, and we found an arrangement so we could have access to a somewhat reliable internet connection for the event, and so we'll be happy to give a keynote at the upcoming LibrePlanet, March 19 and 20!
https://www.fsf.org/news/artist-collective-hundred-rabbits-to-keynote-libreplanet-living-liberation
Hello Live Platform peeps and hello to the Fediverse! I was brought here by @furiousgreencloud , and I'm new here so here is my #introduction :^>
I'm learning all around me right now!! I'm studying film and screen art at uni but I'm mostly taking classes in things that pluck my interest: coding, electronics, analogue film+photo and media culture/history courses.
I love cooking & biking around.
Also, I LUV doing little animations :D just for fun and sometimes for people's projects
Pushed a new version of #orca that's only 9kb, fixed a lot little annoyances. Should run a bit better on slower devices too.
https://git.sr.ht/~rabbits/orca-toy
==LIVE Platform Starter Kit==
0. install and connect the mobile app (I use tusky on android, https://joinmastodon.org/apps)
1. follow the rabbits.
- lurk a little -
2. Write a #introductions,#introduction post about yourself, pin it.
3. When you post use at least the official hashtags (https://liveplatform.ca/about/more) and always add a caption to images. Learn about the different post types.
4. Set you profile public if you want people to find you, from outside mastodon/the fediverse.
FINALLY finished adding all of the art for the Hitobito project on my website ^___^. The files were hosted on Tumblr, previously.
Series was done between 2012-2014. I had 137 images to migrate over.
Looking for opinions, hot takes and detailed analysis on Aptera Motors? Does it scale? Can you repair em, certainly efficient, definitely utopian. https://www.washingtonpost.com/climate-solutions/interactive/2021/solar-car/
= ThreeOhFive.orca =
https://www.youtube.com/watch?v=ZQPkPTzUHdo
Orca Sequencer (Thank You Rabbits @rek @neauoire )
C Pentatonic Bounce (i.e. Scan back and forth) with Irregular Pulse for Melody (Variable m)
Simple Bass Line (Variable b)
Same Beat as two.orca (see previous toot)
Question: How does one divide in Orca?
Still very far from being able to code something like this up live. So much hesitation.
Sounds from Ableton Live
Brady is a #ComputationalArtist, who is concerned with our technological entanglement, and creates media configurations that express a middle way between technological fetishism and dystopian fantasies.