Brady Ciel Marks @furiousgreencloud@liveplatform.ca
- wetland project
- http://wetlandproject.com
- pronouns
- ) she/her (
Admin
Brady is a #ComputationalArtist, who is concerned with our technological entanglement, and creates media configurations that express a middle way between technological fetishism and dystopian fantasies.
Joined Jul 2021
I have all my email, going back to 1996, thanks to Thunderbird.
Same Mailbox format, very fast search, #reclaimyourdata works great with Gmail.
Brady Ciel Marks
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Do not buy NFT made with my art.
Do not make NFT with my Creative-Commons artworks.
If you respect my art, remember and apply this.
Here is my article about what just happened: https://www.davidrevoy.com/article864/dream-cats-nfts-don-t-buy-them
Brady Ciel Marks
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Rekka & I will be giving a keynote presentation, alongside Khyam Allami, at NIME 2022!
https://nime2022.org/
Brady Ciel Marks
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TOWARD THE NOT-YET: ART AS PUBLIC PRACTICE
EditorJeanne Van Heeswijk, Maria Hlavajova, Rachael Rakes
October 19, 2021
Brady Ciel Marks
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@rek @neauoire @furiousgreencloud Ah yeah, the domain blocks doc on github is super out of date, you can see the full list at the bottom of https://merveilles.town/about/more though!
@rek can you send me a link to a list of instance's to block, got my 1st spam today. thanks. Is there a git hub of them or some other collaborative blocking scheme you use?
Brady Ciel Marks
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Recommend listening form season 4 of Momus the podcast : tender, vulnerable and insightful.
https://content.blubrry.com/momus_art_criticism/Momus_ep_29_S4E5-Rianna_Jade_.mp3
“In episode 4, Dr. Léuli Eshrāghi discusses “tagatavāsā,” a text centered on Eshrāghi’s grandmother’s art practice that interweaves Indigenous language with the vernacular of contemporary art…. In this intimate conversation with Lauren Wetmore, Eshrāghi says, “I wonder how you can bring texts to be haunted by the absence of knowledge, or by the violence of the borders of today.”
Brady Ciel Marks
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This is the essay I mentioned: https://theanarchistlibrary.org/library/anonymous-alienation-marvelous-pursuits-and-the-new-nomadic-sciences
This is the 1 opcode computer: https://esolangs.org/wiki/Subleq
What a day done right! Morning coffee with Justine, @rek & @neauoire,touching on virtual assets exceeding the cost of concrete ones, the marvelous pursuit, induction cooking and the arbitrary depth of minimal computing — something like : since all of them are virtual, you can go all the way to the tarmac (DIY 1 operator & stack machine) or all syntactic sugar you desired with corresponding nuclear power plant required for your build. #pickyourpoison
The paper was hiding a Film Shoot's set decoration. I'll keep you posted, as to if the store survives.
Since my 1st _wonderings_ in #Vancouver #ChinaTown the hold out of gentrification has been this shop front — Tosi's sun bleached windows has been unchanged for more than 20 years. For the brave one can(/could?) ring the bell and wait for the aged proprietor to venture slowly down and open up the door to museum dry like interior, in which one can(/could?) order salami, olive oil or Parmesan cheese, from an imagined menu derived from that sun drenched immovable exterior ... now papered over.
Brady Ciel Marks
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Brady Ciel Marks
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As part of my research into the diverse views on sustainability and ICT, I wrote a paper about edge computing and greenwashing.
'Refusing the Burden of Computation: Edge Computing and Sustainable ICT' is published in the open access, online APRJA journal's issue on research refusal.
https://aprja.net//article/view/128184
#sustainability #ecology #environment #tech #technology #greenwashing
My #swimming hole for the last, 4 days on #ṮEḴTEḴSEN (East Point, Saturna Island) 8am with Joni and Mark ... #SwimClub the 1st Rule of SwimClub, is talk about SwimClub the 2nd Rule is you don't need to Swim at SwimClub.
@neauoire Can I buy you a drink at the Pub, I will be on Saturna Island for the weekend. Sunday?
- wetland project
- http://wetlandproject.com
- pronouns
- ) she/her (
Admin
Brady is a #ComputationalArtist, who is concerned with our technological entanglement, and creates media configurations that express a middle way between technological fetishism and dystopian fantasies.
Joined Jul 2021
