Tomorrow marks Day 1 of our three day event! Make sure to register at https://livebiennale.ca/2021/ to tune in live on Ohyay and receive an invitation to the LIVE Platform where you can discuss the day's topics and other art related things!
For those of you who wish to just watch, the stream will be hosted on the LIVE Biennale Facebook page!
We look forward to seeing you there!
@tty thank you thank you thank you!
“SECOND WALK: assembled meanings for home” (2011) by Guadalupe Martinez
Part of a residency at GAM Gallery, “Second Walk” is a durational performance, taking place over 12 hours. During this performative walk, Martinez collected objects from sites surrounding the gallery and her Vancouver residence. The objects were brought back to the gallery and arranged as an installation.
Archival footage by Elisha Burrows.
In this segment of Annotating the Archives, Yasmine speaks to Margaret Dragu (@ladragu) about her performance during LIVE biennale in 2009.
More videos and archival information on our website, link in bio!
Interview filmed by Brady Marks (@furiousgreencloud) and edited by Yasmine Whaley-Kalaora (@ywk). Archival footage by Elisha Burrows.
Our public posts are now LIVE on https://livebiennale.ca/2021/, let the public experiment begin.
Welcome to the LIVE Platform an ad free user moderated social media platform supported by LIVE Biennale.
PS, we have mobile apps too...
Lesson 1. Always share your visualization/sonification of data with the community the data comes from before the general public, and get their feedback.
Lesson 0. Data incompleteness, can be manipulated to lie.
Wanted to share the 12th issue of UBC's UJAH (Undergrad Journal of Art History). This issue contains a paper I wrote last fall on the ReMatriate Collective, (@rematriate_), as well as many more interesting papers and artist profiles written by students and recent grads.
You can get the full journal PDF here:
https://static1.squarespace.com/static/53e07029e4b0130e4212e72c/t/6152add72c05423a43b3483e/1632808470428/UJAH-2021_compressed.pdf
CALL FOR RESPONDERS
The responder’s role is to witness 4 specific events in this series (and any other they may choose to attend) and then formulate their musings into a 1500-2000 word text, drawing connections between them and providing insights in relation to key formal, conceptual, creative, aesthetic, and political concerns.
Responders are paid $1000 each.
Expressions of interest and CV to symposium@cmagazine.com by October 8, 2021. #call #art #canada
Picture of the geometric cover of a hardcover book bearing the author's name (Jer Thorp) and the title, Living In Data, despite the technological subject the colours are earthy and warm.
@ywk need a place for your, ghost stories?
@penny cool, thanx.
@neauoire @penny #thePeanutGallery mouse free operation, === accessibility but consistency might be more important for usability. Do you have a chance for both?
@penny please please, don't make copy and paste a mouse based operation, copy and paste, moves text, and text processing is done on a which device? Consider Vim's ergonomics of using the home keys for arrows keys, because we're going to over learn them anyway. The corded copy is also a pain from the POV that needing to copy a selection, requires a mouse operation which often results in a unintended movement. Poor unusability. Also Vim's vertically selection is surprisingly ace. <3
@neauoire I'm curious what you two think..... ?! (No clues/spoilers/hints or allusions here, nonono) :\ :) : /
@neauoire soo good right!? Have you watched Horse Girl or Promising Young Woman yet? #theCinema
@neauoire sounding great!
Though we are unable to meet in person this year, LIVE Biennale is still dedicated to bringing a meaningful experience centered around identifying new ways of caring in our communities! We invite you to join us from November 4th-6th at the LIVE Assembly, an online event where participants can join us online for a gathering that features artists and those involved in the art community. For more information please register for the event at https://livebiennale.ca
Brady is a #ComputationalArtist, who is concerned with our technological entanglement, and creates media configurations that express a middle way between technological fetishism and dystopian fantasies.