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we work with, and the _with_ is important
– paraphrasing Monica Narula ( @monica )

when we listen we really listen...and then we think of how to act.
– paraphrasing Dr. Paul O’Neill

@LiveBiennale We are all to some extent Institutionalized & No one should stay in an Institution for more than 5 years – paraphrasing @cck (Chris Creighton-Kelly )

We are all to some extent Institutionalized & No one should stay in an Institution for more than 5 years – paraphrasing @cck (Chris Creighton-Kelly )

Additional links:(for further reading)

“How Institutions Think” edited by Paul O'Neill, Lucy Steeds and Mick Wilson:

mitpress.mit.edu/books/how-ins

Scenes, from the truly Caring and Repairing, VerbFrauTV (Margret Dragu & Special Guests)

Sealed Yoga essentials and Frugal Friday Performance, with Guest

Here is a link to some of cc-k's work with Primary Colours: museum.bc.ca/brain/decolonizing-the-museum-with-chris-creighton-kelly-france-trepanier-from-primary-colours

thank you @ywk

Additional links: Chris Creighton-Kelly interviewed by Lenore Keeshig during a TIA House symposium called "Wisdom Council" in September 2019:

museum.bc.ca/brain/decolonizin

Thank you @ywk

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Chris Creighton-Kelly brings us a provocative presentation, filled with questions and authenticity. Blurring the lines and smoothing between performative moments and reflection of recent community moments - in short a gift. livebiennale.ca/2021/ fb.watch/93QmIFZ5BP/

Chris Creighton-Kelly brought us a provocative presentation, filled with questions and authenticity. Blurring the lines and smoothing between performative moments and reflection of recent community moments - in short a gift.

With the LIVE Assembly on it's way, we thought we'd share with you some of our guests!

Margaret Dragu works in video, installation, web/analogue publication & performance. Spanning relational, durational, interventionist and community-based practices, she has shown in Canada, USA & Europe. Dragu is celebrating her 50th year as working artist.

To read more about Margaret, peruse our event schedule, register for the event, or sign up for our newsletter:
livebiennale.ca/2021/

Daina Warren is from the Akamihk (Cree) Nation in Maskwacis (Bear Hills), AB. She was awarded two Canada Council’s Aboriginal Curatorial Residencies the first to work with grunt gallery, Vancouver BC (2000-2001) and a second residency at the National Gallery of Canada in Ottawa, Ontario (2010-2011).

To read more about Daina, peruse our event schedule, register for the event, or sign up for our newsletter:
livebiennale.ca/2021/

Chipo Chipaziwa was born in Kuala Lumpur, Malaysia. Chipaziwa’s work addresses the duality of subjectivity and objectivity; the notion of identity and its fluidity, and the performativity of the African [female] body.

[Image Description: portrait of Chipo Chipaziwa]

To read more about Chipo peruse our event schedule, register for the event, or sign up for our newsletter:
livebiennale.ca/2021/

“Mending” (2009) by Margaret Dragu

This work was part of a series of pieces centered around “verb actions” developed by Margaret Dragu in collaboration with Paul Couillard. In this piece, Dragu films herself repeating the action of “mending,” overlapping the subsequent iterations to create layers of actions that slowly deteriorate and obscure with each repetition.

More videos and archival information on our website, link in bio!

Archival footage by Elisha Burrows.

vimeo.com/641342882

In this segment of Annotating the Archive, Yasmine speaks to Guadalupe Martinez about her performance during the LIVE biennale in 2011.

More videos and archival information on our website,:
livebiennale.ca/2021

Filmed and edited by Yasmine Whaley-Kalaora (@ywk). Archival footage by Elisha Burrows.

vimeo.com/602218297

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LIVE Platform

The LIVE Performance Art International Network
—a platform supporting the Discussion, Curation and Dissemination of LIVE Arts in all it's manifold forms.